There have been many great painters in the rich history of Chinese art. Here are four of the greatest painters from China.

Li Cheng (919-967)

Li Cheng contributed greatly to one of the golden ages of landscape paintings in world history. During his time, he was considered the best landscape painter ever. He is remembered especially for the winter landscapes he created and for simple composition of tall, old evergreens set against a dry landscape. Several of his paintings are in diluted(稀释的) in k which gives them a foggy appearance.

Fan Kuan (950-1032)

Fan Kuan began his career by modeling his works on those of Li Cheng but later created his own style claiming that the only true teacher was nature. His finest work Travelers Among Mountains and Streams is a masterpiece of landscape. painting and many future artists turned to it for inspiration.

QiBaishi (1864-1957)

One of the greatest contemporary Chinese painters, Qi Baishi is known for not being influenced by Western styles like most of the painters of his time. He can be considered as the last great traditional painter of China. Qi Baishi painted almost everything from insects to landscapes. He is regarded highly in Chinese art for the freshness and spontaneity(自然) that he brought to the familiar types of insects, birds and flowers.

WuGuanzhong (1919-2010)

Widely considered as the founder of modern Chinese painting, Wu Guanzhong has painted various aspects of China, like its architecture, plants, animals, people and landscapes. Wu was influenced by post-Impressionist art, an important western movement, and went on to combine Western and Chinese styles to create a unique form of modern art. In 1992, he became the first living Chinese artist whose work was exhibited at the British Museum.

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These days, many young people wonder if they would be better served by striking out on their own than pursuing a college education. In this rapidly evolving（进化）digital era, narratives of overnight success and entrepreneurial（创业的）glory have flooded our social media feeds, fascinating the digital natives of Gen Z into questioning the worth of an expensive traditional college degree. 

Contrary to popular belief, successful entrepreneurship is rarely seen among the young. Recent research suggests that the average age in the U. S. of founders when they launched their companies is 42, rising to 45 for those within the top 

0.1% of earnings based on growth in their first five years. That's even the case for high-tech startups. Indeed, successful entrepreneurship is frequently the result of years of learning, experimenting and risk-taking—traits cultivated over time.

Campuses create environments rich in intellectual diversity and foster cooperation among their inhabitants, promoting an entrepreneurial mindset. They encourage students to challenge established norms and develop their unique thinking patterns to create value-practices that are also key to entrepreneurial success. Thus, higher education is not just about attaining a degree; it's more importantly about acquiring the skills and experiences that inspire and enable the entrepreneurs of tomorrow.

But some may doubt since formal entrepreneurship itself isn't typically a course of study, are all college majors capable of installing entrepreneurial skills? Let's examine the arts majors, which are often subjected to the most suspicion concerning their career paths. Consider a theater major. That curriculum often includes entrepreneurship-focused capabilities beyond stage direction, lighting, sound systems and performance. Students learn to mobilize resources, lead creative teams and navigate the uncertainties of a theatrical production-skills that are readily transferable to launching any entrepreneurial business.

Like a compass for the future, entrepreneurship guide s us toward a society that prizes critical thinking, nurtures（培养）intellectual curiosity and champions innovation. Let's not get swept away by short-lived trends or misleading narratives. Instead, we should appreciate the enduring value of college education.

We are a culture drowning in our possessions. We take in more and more （holiday, birthdays, sales, needs）, but rarely find an opportunity to get rid of it. As a result, our homes fill up with so much stuff. And because we believe the best solution is to find organizational tools to manage all of it, we seek out bigger containers or more efficient organizational tips and tricks. But simply organizing our stuff must be repeated over and over.

At its heart, organizing is simply rearranging. And though we may find storage solutions to- day, we are quickly forced to find new ones as early as tomorrow. Additionally, organizing has some other major shortcomings that are rarely considered. For example, it doesn't benefit anyone else. The possessions we rarely use sit on shelves in our basements or garages, even while some of our closest friends desperately need them.

On the other hand, the act of getting rid of stuff from our home accomplishes many purposes. It is not a temporary solution. It is an action of permanence-once an item has been removed, it is removed completely. Whether we re-sell our possessions, donate them to charity, or give them to a friend, they are immediately put to use by those who need them.

Removing possessions begins to turn back our desire for more as we find freedom and happiness in owning less. And removing ourselves from the all-consuming desire to own more creates opportunities for significant life changes to take place.

If you're struggling with how to get rid of stuff, you can first challenge yourself to remove the unneeded things in your home, carry a trash bag from room-to-room, see how big of a donation pile you can make, and even eliminate debt by selling what you no longer need.

It doesn't matter how you remove them, for it is far better to remove than to always organize.