1.阅读理解

It is William Shakespeare, the great coiner, who is given credit for the word. Coriolanus, one of his characters, compares going into exile (流放) to a "lonely dragon" retiring to his cave. He was talking about a physical state: someone who was lonely was simply alone. Then, thanks to the Romantic poets, the word took on emotional meanings. Loneliness became a condition of the soul. For William Wordsworth, who famously "wandered lonely as a cloud", the natural world offered an escape from negative feelings of loneliness—a host of flowers could provide "cheerful company". Today, loneliness is often seen as a serious public-health problem, creating the feeling of disconnection.

In his book Solitude, Netta Weinstein, a psychology professor wonders the rewards of time spent alone. He begins with an account of stories of solitude created by figures such as Michel Montaigne, a writer, and Edward Hopper, a painter. Netta then draw on laboratory work, interviews and surveys to clarify how being alone really affects the human mind.

It is common to treat loneliness and solitude as synonyms (同义词) but they are not. The author suggests that what is negatively described as one state can be positively expressed as the other. Loneliness, often perceived as negative, can potentially be transformed into a positive experience of solitude. To this end he emphasizes how being alone can help restore people and offers practical advice. In a noisy world, he argues, people should make time to be alone, away from attention-grabbing motives.

The book's interviewees mostly regard a lack of company as a contributor to autonomy. But this depends on whether solitude is desirable or not. Enforced solitude, such as that experienced by prisoners, typically leads to nothing but suffering. Elective solitude, by contrast, affords space for self-reflection. It can open the door to "peak experiences" such as wonder, harmony, and happiness. In a highly-connected digital age, however, many readers do not fancy their chances of ever taking a long enough break to have such experiences.

(1) How does paragraph 1 introduce the concept of loneliness? A. By tracing its development. B. By analyzing causes. C. By making a point to be argued. D. By sharing a romantic story.
(2) What does Netta Weinstein's book Solitude focus on? A. The various terms of solitude. B. The societal impact of solitude. C. The long-standing history of solitude. D. The psychological benefits of solitude.
(3) Netta describes the state of loneliness as ____. A. stressful B. essential C. changeable D. never beneficial
(4) What does Netta most probably agree with according to the last paragraph? A. Enforced solitude is a matter of choice. B. Enforced solitude contributes to autonomy. C. Elective solitude is rare in the digital world. D. Elective solitude interrupts peak experiences.
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推理判断题; 日常生活类; 议论文;
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1.阅读理解

By day, Robert Titterton is a lawyer. In his spare though he goes on stage beside pianist Maria Raspopova — not as a musician but as her page turner. "I'm not a trained musician, but I've learnt to read music so I can help Maria in her performance."

Mr Titterton is chairman of the Omega Ensemble but has been the group's official page turner for the past four years. His job is to sit beside the pianist and turn the pages of the score so the musician doesn't have to break the flow of sound by doing it themselves. He said he became just as nervous as those playing instruments on stage.

"A lot of skills are needed for the job. You have to make sure you don't turn two pages at once and make sure you find the repeats in the music  when you have to go back to the right spot." Mr Titterton explained.

Being a page turner requires plenty of practice. Some pieces of music can go for 40 minutes and require up to 50 page turns, including back turns for repeat passages. Silent onstage communication is key, and each pianist has their own style of "nodding" to indicate a page turn which they need to practise with their page turner.

But like all performances, there are moments when things go wrong. "I was turning the page to get ready for the next page, but the draft wind from the turn caused the spare pages to fall off the stand," Mr Titterton said, "Luckily I was able to catch them and put them back."

Most page turners are piano students or up-and-coming concert pianists, although Ms Raspopova has once asked her husband to  help her out on stage.

"My husband is the worst page turner," she laughed. "He's interested in the music, feeling every note, and I have to say: 'Turn, turn!' "Robert is the best page turner I've had in my entire life."

(1) What should Titterton be able to do to be a page turner? A. Read music. B. Play the piano. C. Sing songs. D. Fix the instruments.
(2) Which of the following best describes Titterton's job on stage? A. Boring. B. Well-paid. C. Demanding. D. Dangerous.
(3) What does Titterton need to practise? A. Counting the pages. B. Recognizing the "nodding". C. Catching falling objects. D. Performing in his own style.
(4) Why is Ms Raspopova's husband "the worse page turner"? A. He has very poor eyesight. B. He ignores the audience. C. He has no interest in music. D. He forgets to do his job.
阅读理解 真题 普通
2.阅读下列短文,从每题所给的A、B、C、D  四个选项中选出最佳选项。

Could the next Ernest Hemingway or Jane Austen be a well-engineered Al software program? It's a question becoming increasingly pressing as machine language-learning software continues to evolve.

Much of this is just nerves. Today's Al creative writing programs are not yet at a stage of development where they pose a serious threat to Colleen Hoover or Charles Dickens. But while attention continues to for us on the possibility of a blanket takeover of human literature by Al, far less consideration has been given to the prospect of Al co-working with humans.

Earlier this month, American sci-fi writer Ken Liu, who had been awarded Hugo and Nebula to his name, joined 12 other professional authors for a writing workshop on Google's Word craft. This Al tool, a language generating model, is not yet publicly available but is advertised as an AI-powerel writing assistant that can, when given the right instruction from the writer, provide helpful descriptions, create lists of objects or emotional states, and even brainstorm ideas.

The writers at the workshop, however, emerged with mixed reports. "Word craft is too sensible. Wow!"Robin Sloan wrote. "But‘sensible'is another word for predictable, overused and boring. My intention here is to produce something unexpected. "

I'm unconvinced that writers awarded the Nobel Prize have much to fear from Al. Their work, and that of countless other rnove lists, short story writers, dramatists and poets, is too particular, too beautifully unique. Even if a model learned what they had done in the past, it would not be able to predict where their creativity might take them in the future. But for authors who write following a pattern, Al might step in, first as assistants before some day to authorship.

Production-line novels are nothing new. In the 1970s, Barbara Cartland, who wrote more than 723 books in her lifetime, many of which are romance bestsellers, would read her novels for her secretary to type up at the remarkable rate of roughly seven chapters a week. But already machine has replaced the secretary's role. Perhaps creative writing software isn't that far from replacing the Mrs. Cartlands of today.

(1) Which aspect of Al calls for more attention? A. Its damage to our nerves. B. Its progress in literary studies. C. Its cooperation with humans. D. Its influence on human literature.
(2) What can we learn about Word craft from the text? A. It generates novels automatically. B. It outperforms professional writers. C. Its works receive praises from the public. D. Its works bear similarity to existing ones.
(3) What can writers do to avoid the threat from Al? A. Increase writing speed. B. Use diverse resources. C. Produce creative works. D. Follow the latest patterns.
(4) Which of the following is the best title for the text? A. Will AI Replace Human Writers? B. AI Warns Mrs. Cartlands of Today C. Is Writing Running into a New Era? D. Word craft Lies at the Center of Debate
阅读理解 未知 普通
3. 阅读理解

Begun 30 years ago, the Kubuqi desert greening project has succeeded in not only controlling the fast growth of the seventh-largest desert in China, about the size of Kuwait, but also turning about 6, 000 square kilometers of the desert — one-third of it — green. 

The desert lies about 800 kilometers to the west of Beijing in the Inner Mongolia autonomous region (自治区) and the greening efforts have also controlled desertification (沙漠化) in the rest of the area. 

The project, which began about 30 years ago, can be looked to as an example of efforts to advance green development, in order to create harmony between humans and nature, and leave a better environment for future generations. 

The success of the project, which has been praised by the UN Environment Programme as an "eco-pioneer", sets an example for successful desertification control and ecosystem improvement based on effective government policies, supported by investment (投资) in the eco industry and combined with the efforts of local farmers. These three aspects are key to the success of the "Kubuqi model". 

Elion, a private ecology (生态) and investment company, has invested about 38 billion yuan($5. 82 billion)in the Kubuqi desert-greening project since 1988 helping to lift about 102, 000 local farmers out of poverty. For example, the locals grow a drought-tolerant (耐旱) plant, Chinese licorice, which is the most used herb in traditional Chinese medicine. The plant helps enrich the desert soil, with the bacteria around the roots of the plants producing nitrogen (氮气). Besides, Cistanche, another type of drought-tolerant herb, was introduced after the successful planting of licorice. Under the company's guidance and with the local government's support, the local people benefit from the "environmental wealth". 

More companies should be encouraged to apply the "Kubuqi model" in other desert control projects in Inner Mongolia and neighboring Gansu province, where the climate conditions are similar but not quite the same, so as to further gain experience and enrich the model in practice. Showing it can be successfully applied in other areas will help promote the model worldwide.

(1) What do we know about the Kubuqi greening project? A. It increases the areas of desert. B. It has turned all of the desert green. C. It has achieved satisfying results. D. It is applied all over the world.
(2) Which is NOT the reason for the success of the "Kubuqi model"? A. Efforts of local farmers. B. Government policies' support. C. Investment in the eco-industry. D. Help from the UN Environment Programme.
(3) What is the author's attitude towards the greening project? A. Negative. B. Doubtful. C. Supportive. D. Indifferent.
阅读理解 未知 普通