1.阅读理解

Pioneers like Harvard social ecologist Stephen Kellert were among the first to champion modern biophilic design. Kellert believed that weaving nature into living and workspaces is critical for good physical and mental health.

Humans have evolved to gravitate towards nature, Kellert noted, but if we don't develop that impulse it fades. So his principles include access to natural light, air, water, plants, and gardens. Using materials such as wood and stone, natural designs such as leaf or shell patterns, and earthy colors also helps humans to feel closer to nature.

Biophilic designs can be seen in cities and buildings around the world. Modern examples include the Jewel Changi Airport in Singapore, with its four-storey forest garden and world's largest indoor waterfall fed by rainwater. Or the Swedish Mirrorcube tree house hotel, mainly made of used plywood and a lightweight aluminum (铝) frame wrapped around a tree.

Spectacular biophilic homes include One Central Park in Sydney apartment blocks featuring hanging gardens on the outside. The buildings recycle their own water and a suspended (悬浮的) motorized mirror system reflects sunlight down onto gardens below. Milan's Bosco Verticale block is perhaps even more eye—catching with its vertical forest of 17,000 trees, bushes, and plants.

Putting biophilic design to work for society could prevent millions in healthcare costs, with one study estimating annual savings of $93 million in the US alone. Hospital design in particular has historically been influenced by access to sunlight and views of nature. Modern buildings like the Khoo Teck Puat Hospital in Singapore, with its position next to the waterfall of the Yishun Pond, are closely linked with their surroundings. The hospital channels outdoor air to cool the inside, and uses reflective sunshades to direct light into the wards to brighten them and save energy.

The aim of these designs is to emphasize the human connection to nature by integrating buildings with the local environment. But how do we bring biophilia into our homes? Start with house plants. New smart home apps can also provide sensory nature experiences such as birdsong and a projected forest canopy, helping people to carve out a restful space indoors.

But perhaps the best way to transform society with biophilic designs is to start with schools. Children learn better and feel more relaxed in biophilic settings. So the Children and Nature Network is working with schools across the US to create green schoolyards for better physical and mental health and to increase opportunities for outdoor learning.

Biophilic designers are bringing nature into classrooms through natural patterns, shapes and colors, nature photography, artwork and materials like timber and stone. Fresh air flow, green walls, and aquariums all become part of a recipe for improving health and academic success.

(1) According to the passage, Stephen Kellert probably believes that_________. A. humans' inborn love for nature won't be lessened B. nature can improve people's sense of responsibility C. humans need to appreciate and make good use of nature D. natural materials have taken priority in modern building designs
(2) What do the examples of biophilic designs in the passage have in common? A. They apply smart home technology. B. They promote sustainable development. C. They include waterfalls and gardens inside. D. They use local resources to cut the cost of buildings.
(3) From the last two paragraphs, we learn that biophilic designs ____________. A. have greatly transformed schools B. help improve students' performance C. focus mainly on students' mental health D. have moved most of the classrooms outside
(4) Which of the following would be the best title for the passage? A. Let's Invite Nature Inside B. Live Naturally and Simply C. The Best Natural Building Designer D. Ups and Downs of Natural Buildings
【考点】
推理判断题; 细节理解题; 日常生活类; 说明文; 标题选择;
【答案】

您现在未登录,无法查看试题答案与解析。 登录
阅读理解 常考题 普通
能力提升
真题演练
换一批
1.阅读理解

I've been writing since before I could write. As a kid, I dictated stories to my parents. About 12 years ago, I was living in New York City and pursuing a master's degree in creative writing. For years I'd been suffering vision disorder, but in New York my symptoms worsened. I became unable to read or write for any considerable length of time. I tried vision therapy, an overhead projector, a special pair of glasses — all in vain.

Eventually, I discovered a computer program for the visually challenged. As I typed, my words were read aloud by an automated voice. With my screen dimmed (变模糊) to black, I relied entirely on the automated voice to know what I had written.

Facing the blank page is worrying, but facing the black page is worse. The dark screen is a sinkhole that swallows creative hope. Sentences disappear into it like an astronaut into a black hole. I managed to complete

my master's degree, but it took me years to adapt to my new reality. The greatest barrier seemed to be the automated voice, which was like a robot parrot on my shoulder, and I wanted nothing more than to drive it away. If a pianist were forced to practice on an untuned piano, would it corrupt his ear over time?

Of course, I could have quit writing and stopped making myself suffer. But it honestly never occurred to me—and I'm glad it didn't. Last year, after I told my story on the radio, I was contacted by VocaliD, a Massachusetts-based company that created a voice modeled on my own.

The first time I heard the voice they created, it is so close to my own that the two are nearly indistinguishable. I've only just begun using this new voice. My hope is that this will restore a sense of solitude (孤独) to my writing process, allowing me easier access to that inner space where the imagination can take over, and I can forget myself, and the real work can begin.

The black screen still exists — it always will — but the robot parrot has taken wing.

(1) A. What happened to the author when pursuing a master's degree in New York? B. His sight started to fail due to much reading. C. His eyes couldn't bear long hours of reading. D. He had to drop out due to his vision disorder.
(2) What still bothered the author after he got his master's degree? A. The untuned automated voice. B. The pet parrot on his shoulder. C. The computer with a dark screen. D. The noise from a neighboring pianist.
(3) How did the author feel when first hearing the voice created by VocaliD? A. Relaxed. B. Annoyed. C. Unmoved. D. Excited.
(4) What can we infer from the last paragraph? A. The automated voice is too annoying to bear. B. The author can restore his sight to normal. C. The author starts to enjoy his writing again. D. It is likely that the technology will improve.
阅读理解 常考题 普通
2.阅读下列短文,从每题所给的A、B、C、D四个选项中选出最佳选项。

A new trend has popped up in China with many young people abandoning brand (品牌) names to create makeshift handbags out of things like reusable grocery bags and other materials. One example is the Shenzhen bag, which includes canvas (帆布) bags, paper bags, milk tea packages that people carry around in Guangdong Province.

Makeshift handbags like the "Shenzhen bag" are also common among young people in big cities like Beijing, Shanghai, and Hangzhou. People find the bags practical, wearable and fashionable, and they can be carried on the shoulder or the back. This emerging trend reveals a new attitude to consumption as young people in China begin to pursue a simple and shared life, with consumers no longer blindly pursuing brand names as a status (身份) symbol, but advocating a simple and low-carbon lifestyle. In addition to the handbags, and regardless of their monthly incomes, many young people are living more casually, in line with a "good enough mentality". Loose T-shirts, Crocs, and canvas bags are basically standard mode.

"Consumers today are becoming more mature and rational. They are pursuing smarter consumption through careful consideration and calculation to find the cheapest; most practical, cost-effective way of shopping," says. Wang Ning, a sociology professor at Nanjing's Southeast University.

Economists believe that China's Generation Z no longer blindly pursues brands and luxury goods or buys things for brand name and status. Instead, they pay more attention to their actual needs, quality, and experience of buying, and prefer sharing and secondhand purchases. They also advocate environmental protection and sustainable consumption.

Price-aware Chinese consumers have also begun to place a greater emphasis on their inner selves. Driven by rational consumption, many young people no longer save to buy a brand-name bag, but for self-improvement.

The new handbag trend has also created business opportunities. Reusing packaging used for food brands as handbags results in mobile advertising for the associated brands, and the phenomenon of the "Shenzhen Bag" has also benefited paper bag companies.

(1) What is the feature of "Shenzhen bag"? A. A popular luxury brand of handbag. B. A makeshift handbag symbolizing status. C. A traditional handbag designed for specific people. D. A temporary handbag that was once for another use.
(2) Which is closest in meaning to the underlined word "rational" in paragraph 3? A. Conservative. B. Reliable. C. Sensible. D. Considerate.
(3) What contributes to the change in consumption habits among China's Generation Z? A. A belief for a plain and green lifestyle. B. A neglect of environmental protection. C. Blind pursuit of brand names and luxury goods. D. Focus on outer appearance rather than inner selves.
(4) What is the text? A. A book review. B. A news report. C. A business plan. D. A research article.
阅读理解 未知 普通
3. 阅读下列短文,从每题所给的A、B、C、D四个选项中选出最佳选项。

When you go running in the woods in your running tights, elastane (氨纶) is the reason why they fit you so comfortably. Elastane is an elastic material that allows the fabric to stretch and adapt to your body.

But when elastane fibres are mixed with cotton, wool, nylon or other fibres, as is the case in many clothes today, the clothes become almost impossible to recycle. It is extremely difficult to separate out the different fibres, and therefore the materials in the clothes cannot be recycled.

But this may change, says Assistant Professor Steffan Kvist Kristensen from the Interdisciplinary Nanoscience Center at Aarhus University. Together with a number of colleagues, he is behind a new technology that can separate out fibres in mixed fabrics.

"We've developed a method to remove elastane completely from nylon. We're not quite there yet with cotton, because some of the cotton fibres are broken down in the process. But we believe that, with some minor adjustments, we can solve this problem," he says. 

It is not easy to separate elastane and other fibres once they have been woven(编织) together. Clothes are made by winding the main fibres, such as nylon or cotton, around the elastane fibres, which consist of long chains of molecules (分子). The fibres only break apart if we break the long chains of molecules, explains Steffan Kvist Kristensen.

By heating the clothes to 225 degrees Celsius and adding a specific alcohol, the researchers have found a method to break down the bonds in elastane chain. When this happens, the chains fall apart and the materials separate. "The whole process takes place in what is in effect a large pressure cooker that we feed the clothes into. We then add a little alcohol and a potassium hydroxide(氢氧化钾) base and heat it up. Then we let it cook for just over four hours, and when we open the lid again, the different fibres will have been separated." says Steffan Kvist Kristensen.

So far, Steffan Kvist Kristensen and his colleagues have only experimented with two nylon stockings at a time. The technology is therefore not yet ready for application at industrial scale.

(1) What can we learn about elastane from the passage? A. It is an eco-friendly material. B. It is a kind of stretchable fabric. C. It makes the clothes far from recycling. D. It is made up of short chains of molecules.
(2) Why is a pressure cooker used in the experiment according to the text? A. To separate more fibres. B. To reduce the heating time. C. To increase the temperature to 225℃. D. To ensure the safety of the experiment.
(3) What can be inferred about this new technology? A. It can separate all sorts of fibres. B. It needs plenty of energy to work. C. There is a long way before it is widely used. D. There is no possibility to separate elastane from cotton.
(4) What is Steffan Kvist Kristensen's attitude to this new technology? A. Satisfied. B. Confident. C. Critical. D. Unclear.
阅读理解 未知 困难