Bring It On:The Musical

Bitingly relevant and inspired by the hit film of the same name, Bring It On takes audiences on a high-flying journey that is filled with the complexities of friendship, forgiveness and self-definition.

Uniting some of the freshest and funniest creative minds on Broadway, Bring It On features an original story by Tony Award winner Jeff Whitty, music and lyrics by Tony Award-winning composer Lin-Manuel Miranda, and music supervision by Tony and Grammy Award winner Alex Lacamoire. The production is directed and staged by Tony Award winner Andy Blankenbuehler. It was proposed as a candidate for the Tony Award for Best Musical.

Campbell, the main character, is a cheer-leading star at Truman High School and her senior year should prove the most joyful — she's been named captain of the team! However, an unexpected redistricting has forced her to spend her final year of high school at the neighboring Jackson High School. Despite challenges, Campbell befriends the school's dance crew. Together with their headstrong and hardworking leader, Danielle, they form a powerful team for the ultimate competition — the National Championships.

The show's name alone will fill the seats, and audience's word of mouth will pack the house. With a colorful variety of characters and an exciting fresh sound, Bring It On is sure to be everything that you hoped for.

"By removing needless details in pursuit of perfection, Van Den followed in the footsteps of many great artists, writers, composers, and painters."

Juhani Murros made an unexpected discovery during his visits to art galleries when he worked for an organization in Ho Chi Minh City in 1990. A small still life in an unnoticeable gallery commanded the Finnish physician's attention. "It was not an eye-catching oil painting, yet its dark, mysterious colors and the emotional tension of its disciplined composition set it apart." Thus began a long journey of discovering the art and life of Van Den, a Buddhist of mixed Chinese and Vietnamese ancestry who studied in Paris for less than two years during the first French Indochina War.

Murros' biography is, by necessity, brief because there is limited knowledge of the artist, mostly in oral way by family and friends. Many of his paintings did not survive the damp Southeast Asian climate nor the political chaos of his lifetime. However, the author's research appears to be extensive, as much a years-long spiritual examination of Van Den as a historical one. The artist's love for country life is apparent in his work, and it is said by those who knew him that he preferred to paint countryside scenes close to his heart and worked as an outsider. He is uninterested in the more elegant work of academically recognized painters. Despite these limitations, Van Den won Vietnam's most honorable art award in 1960.

Murros gives an in-depth look into the life of this little-known unsung master. The book introduces the readers to Van Den's art with photographs of his paintings, accompanied by short stories behind them. The book is as quiet as the artist's work, but it is a satisfying read. Each stroke of words in the book connects to the readers; the narrative awakens the artistic spirit in each one of us, encouraging us to follow our heart.

Proudly reading my words, I looked around the room, only to find my classmates bearing big smiles on their faces and tears in their eyes and Miss Lancelot stone-faced. I slowly raised the report, hoping to hide myself and burning to find out "What could be causing everyone to act this way?"

Quickly, I flashed back to the day Miss Lancelot gave me the task. This was the first real task I received in my new school. It seemed simple: go on the Internet and find information about a man named George Washington. Since my idea of history came from an ancient teacher in my home country, I had never heard of that name before. As I searched the name of this fellow, it became evident that there were two people bearing the same name who looked completely different! One invented hundreds of uses for peanuts, while the other led some sort of army across America. I stared at the screen, wondering which one my teacher meant. I called my grandfather for a golden piece of advice: flip (掷) a coin. Heads—the commander, and tails—the peanuts guy. Ah! Tails, my report would be about the great man who invented peanut butter, George Washington Carver.

When another classmate began his report, it all became clear, "My report is on George Washington, the man who started the American Revolution." How could I know that she meant that George Washington?

Obviously, my grade was awful. Heartbroken but fearless, I talked to Miss Lancelot, but she insisted: no re-dos; no new grade. I felt that the punishment was not justified, and I believed I deserved a second chance. Consequently, I threw myself heartily into my work for the rest of the school year. Ten months later, that chance unfolded as I found myself sitting in the headmaster's office with my grandfather and the headmaster informed me of his approval that I could skip the sixth grade. Justice is sweet!